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・ Transformation (warfare)
・ Transformation between distributions in time–frequency analysis
・ Transformation design
・ Transformation efficiency
・ Transformation geometry
・ Transformation in economics
・ Transformation language
・ Transformation mask
・ Transformation matrix
・ Transformation Ministries
・ Transformation obsession
・ Transformation of culture
・ Transformation of text
・ Transformation of the United States Army
・ Transformation optics
Transformation playing card
・ Transformation Priority Premise
・ Transformation problem
・ Transformation processes (media systems)
・ Transformation scene
・ Transformation semigroup
・ Transformation Story Archive
・ Transformation theory
・ Transformation theory (quantum mechanics)
・ Transformation/transcription domain-associated protein
・ Transformational Acquisition
・ Transformational Christianity
・ Transformational Diplomacy
・ Transformational festival
・ Transformational Government


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Transformation playing card : ウィキペディア英語版
Transformation playing card

A transformation playing card (sometimes referred to as a transformation deck when assembled into a complete set) is a type of playing card where an artist incorporates the pips of the non-face cards into an artistic design. In a classical transformation playing card, the pips retain their standard position and coloration on the card. In some variations, the pips may be different in size, location or color. There is some debate as to whether these cards, often referred to as semi-transformed, should be considered true transformation playing cards.
==History==

By the 19th century, the standard form for playing cards had become fixed in most of Europe and America. French cards used hearts, diamonds, spades and clubs. German cards used acorns, leaves, hearts and bells. It was at this time that designers in Germany, France and England began to draw small figures around the pips.
The first transformation playing cards were created by D.W. Soltan and D. Berger in 1801 as illustrations for a German edition of Hudibras. The cards illustrated were the 2 of hearts, 3 of hearts, 5 of hearts and 8 of hearts. In 1803, John Nixon published the first complete set (52 cards) of transformed cards. Titled ''Metastasis'', this collection was also published as illustrations on sheets of paper. In 1804, J.C. Cotta, a publisher and bookseller in Tübingen, Germany, produced the first set of transformation cards that was published as an actual deck of playing cards. These decks were published as almanacs, in which each of the 52 cards corresponded to one of the 52 weeks of the year.
In 1865 Dean and Son published a deck in which the pips have been changed in both size and location, being placed at the artist's whim. Collectors debate as to whether or not this deck should be considered a transformation deck, due to these differences. The Dean and Son deck remained the only deck to manipuate the pips until the 1970s, when the practice gained some popularity. Today, cards that do not strictly adhere to standard pip placement, size and color are referred to as semi-transformation playing cards.
An article entitled "Playing Card Squiggles." was published in the December 1910 issue of ''Strand Magazine''. Several ''Cotta'' cards were pictured, erroneously attributed to an unnamed French artist. ''Strand'' subsequently asked its readers to submit their own designs for card squiggles, which the magazine periodically published. John Butler Yeats was one of the first to contribute a card design to the magazine. The feature remained popular for some time.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Transformation playing card」の詳細全文を読む



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